African Arts Gallery

Ex-French African art collection.
Posture of a rider rather atypical for this female figure: perched in kneeling position, she also presents a face revealing a deep meditation. The beard suggests an ancestor hermaphrodite figuration, swollen belly pregnancy. According to Geneviève Calame-Griaule, these statuettes, associated with fertility and motherhood, named dege were intermediaries between men and spirits or geniuses. A dark brown patina covers the entire room whose wood bears the imprint of age: cracks and cracks. These statues, sometimes embodying the nyama of the deceased, are placed on altars of ancestors and participate in various rituals including those of periods of seeds and harvests. Parallel to Islam, dogon religious rites are organized around four main cults: the ...

Former Belgian private collection of African art J. Putteneers.

These pieces are identified as inspired by the works of buli's Master who developed this style in the mid-19th century. A set of pieces with the same aesthetic characteristics is indeed famous in the luba statuary and is to be attributed to a sculptor or group of sculptors, opinions diverging according to the authors, under the name "Master of Buli".

The Luba are renowned for their statuary and in particular their stools consisting of one or two cariatids holding, with the help of arms and their skulls, a circular seat.
Complex scarifications are engraved on the chest and arms of the female character. The facial features are typical as well as the headdress pulled backwards.

The Luba ...

The variety of reliquaries in the African art of the Mbede
The Mbete are known for their antropomorphic statues with a dorsal hollow as a reliquary participating in the worship of ancestors. These exceptionally well-preserved pieces are typical of african tribal art from the Mbete , Ambete . Their cylindrical abdomen contains a rectangular cavity on the back sealed by a door in which the bones of the lineage ancestors were preserved. Placed in the lower half of the head, under a broad triangular forehead, the face has a characteristic appearance, with cauris evoking narrow half-closed eyelids, a hollowed-out geometric mouth giving it a grimacing appearance. The hairstyle on which the braids are drawn is assembled in a summit crest. Attached to the bust, the arms are folded at a ...

Harmony of curves for this long zoomorphic neckrest featuring a quadruped, owned by a Harmony collector of curves for this long zoomorphic neck rest rest by a quadruped, owned by an Italian collector of African art. The sculptor departed from the realism of the proportions, these having probably been designed for the purpose of stability, the curvature of the back acting as a headrest. The latter presents a satin patina resulting from repeated contact, as opposed to the dullness of the rest of the object. Still trimmed with his canvas shoulder strap attached to the animal's neck and tail and enhanced by two cauris, it was carried by its owner during his travels. The tail is punctuated with regular openings where cotton strands have been knotted. This type of piece was also used during the ...

Private collection Recupero
The wide variety of African art production Dogon.
Statue seated, hands resting on the thighs. The belly is prominent, in reference to fertility. Above the excessively stretched neck the face has an angular styling whose soaring shape of the nose is characteristic of the Dogon. The crested hairstyle is incised with rafters. Heavily eroded wood, clear patina.
The main dogon religious leaders are the Hogon, priests of the lebed cult, dedicated to agriculture. One of the most important ceremonies of the lebe is called bulu; it celebrates the renewal and return of life, and takes place in the spring. The ancestors are honored through the cult binu, and give their benevolence in turn to their descendants. Blacksmiths and woodcarvers form a separate ...

Ex Belgian private collection of African art J. Putteneers.

The Wurkum, like the Mumuye, have shoulder masks called Skuwava with an elongated neck topped by a head, sometimes miniaturized. Wurkum pieces are nevertheless more expressive than Mumuye pieces.
These imposing masks were traditionally worn during war preparation ceremonies but are now linked to healing and rain rituals.
These uncommon pieces come from the northern regions of the Benue Valley. The patina is smooth in coffee tones.

Ex English private collection of African art.

These altar heads created using the lost wax technique are very loaded with details and patterns. The figures with realistic features have facial scarification and many finely detailed ornaments. This pair of busts presents a beautiful symmetry. The two figures wear a cross-braced garment with a collar bearing a bell.
The horns themselves are covered with geometric patterns and sculpted faces. At the top of each horn sits a soldier, helmet on his head and weapon in his fist.

The art of Benin is described as a court art because it is closely associated with the king, known as the oba. The tradition of Ifè bronze court objects dates back to the 14th century.

The numerous bronze heads and ...

Ex French private collection of African art.

The Bamiléké, a sub-group of a larger tribe also made up of the Bamoun and Tikar, excelled in the creation of multicolored beaded statues, a sign of prosperity and wealth, giving the royal object the brilliance that distinguishes it from common objects.

A basic structure is carved in wood and then covered with a lattice of beads whose colors correspond to the different chieftaincies.

Among the Bamileke, as in other ethnic groups, art objects testified to the position of their owners in the hierarchy of society. Thus, the materials and shapes of the objects varied according to social status. King Bamileke, also known as the Fon, who was the guarantor of the fertility of the soil and the protection ...

Ex private French collection of African art.

This imposing and exceptional beaded statue reaches 1m35. The Bamiléké, a subgroup of a larger people also made up of the Bamoun and Tikar, excelled in making multicolored beaded statues, a sign of prosperity and wealth, giving the royal object the brilliance that distinguishes it from the common objects.

A basic structure is carved from wood and then covered with a beaded lattice whose colors correspond to the different chiefdoms.

Among the Bamilékés as in other ethnic groups, the art objects attested to the position of their owner in the hierarchy of society. Thus, the materials and shapes of objects varied according to social status. King Bamiléké, also known as fon, guarantor of soil fertility and the ...