African Arts Gallery

Belgian collection of African art
This piece features the distinctive graphic characteristics of the Songye, characterized by angular shapes. Traditionally, the magical power of banksishi (or Nkishi) is reinforced by the addition of accessories such as talismans, metallic elements, seeds, shells, like the loincloth present here, and sometimes by small leather bags. The absence of the usual horn at the top, which often symbolizes magical charge, indicates that this piece has been desecrated. Its light golden patina, inlaid with white clay, gives it a particular aesthetic.
These protection fetishes, intended for homes, are among the most popular in Africa, playing the role of mediators between gods and men. The Songyes, in the 16th century, migrated from the Shaba region to settle on the left bank of the Lualaba. Their society is organized in a patriarchal manner, and their history is closely linked to that of the Luba, with whom they share common ancestors.
The Songyes created impressive statues with powerful features, often used in secret ceremonies, covered with accessories such as feathers, skin and a horn full of magical charge. Divination occupied a preponderant place in their society, making it possible to discover sorcerers and to clarify the causes of misfortunes which struck individuals.