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African art - African Textile:

African textiles are numerous, but few have reached the notoriety of Kuba velvet, shoowa of Kasai or Ncak nsueha Bushoong, who have earned their acclaim in the tribal art. Georges Meurant has devoted several books to their subjects.


Nshak Etoffe, Ncak Bushoong
objet vendu
African art > African Textile > Etoffe Nshak

Prestigious fabrics among the objects of African art KubaProduce d'in Zaire by the Shoowa, Bashoowa, mainly, subgroup Kuba , these fabrics forming real first art paintings, consist of a textile base in raffia. The geometric patterns formed represent the bodily scarifications of the ethnic group or take over the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. They in many cases took value of money, or also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the weaving technique to the Kuba country in the 17th century. He had previously introduced the Kuba to the art of forging. It was the men who softened the fibers of young ...

Kasai Shoowa Velvet
African art > African Textile > Textile Cuba

Belgian African tribal art collection.
African art and the refinement of Kuba weaving.
Products to Zaire by the Shoowa, Bashoowa, a subgroup Kuba , these fabrics forming real paintings of first art, consist of a textile base in raffia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba ...


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120.00

Etoffe Pongo d Ituri
African art > African Textile > Textile Pongo

Produced by pygmies in the Ituri Forest in the Democratic Republic of Congo, these fabrics woven from ficus bark fibers were painted by women. Men cut wood and hammered bark, and women generally used a gardenia decoction mixed with charcoal ash to draw patterns similar to tattoos worn by tribe members. On this copy, grids of different formats were drawn on the clear background, a traitor each of them, sometimes forming a loop at its end. The rhythm and space created between the different signs would also have a connection with the polyphonic songs through which the pygmies of Ituri address God. The Mangbetu, in contact with the Asua pygmies, produced a similar type of cloth (named tapa in Oceania) decorated with more complex symbols called murumba or nogetwe . This type of fabric, if not ...


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150.00

Etoffe Pongo from Ituri
objet vendu
African art > African Textile > Etoffe Pongo

Ex-collection Swiss African art.
Produced by pygmies from the Ituri forest in the Democratic Republic of Congo, these fabrics woven from ficus bark fibres were painted by women. Men cut wood and hammered bark, and women generally used a gardenia decoction mixed with charcoal ash to draw patterns similar to tattoos worn by tribal members. On this copy, grids of different formats were drawn on the clear background, a traitconnector each of them, sometimes forming a loop at its end. The rhythm and space created between the various signs would also have a link with the polyphonic songs through which the pygmies of Ituri address God. The Mangbetu, in contact with the Asua pygmies, produced a similar type of cloth (named tapa in Oceania) decorated with more complex symbols called murumba ...


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Etoffe Nshak, Ncak Bushoong
African art > African Textile > Pagne Nshak

Prestigious fabrics among The African Art Objects Kuba.
Products in Zaire by the Shoowa, Bashoowa, mainly, Subgroup Kuba , these fabrics forming real paintings of first art, are made of a textile base in raffia. The geometric patterns formed represent the body scarifications of the ethnic group or take the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the weaving technique to Kuba country in the 17th century. He had previously introduced the Kuba to the art of forging. It was the men who softened the fibers of ...


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280.00

Kuba Shoowa Velvet from Kasai
African art > African Textile > Velours Cuba

The African art and refinement of Kuba weaving, produced in Zaire by the Shoowa, Bashoowa, a subgroup Kuba, these fabrics forming real paintings of first art, consist of a textile base in raphia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba country in the 17th century. He had previously ...


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110.00

Kasai Kuba Shoowa woven panel
African art > African Textile > Textile Cuba

The African art and refinement of Kuba
Produced weaving in Zaire by the Shoowa, Bashoowa, subgroup Kuba , these fabrics forming real paintings of first art, consist of a textile base in raffhia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba country in the 17th century. He had previously ...


View details

120.00

Kasai Shoowa Velvet Panel
African art > African Textile > Velours Cuba

Belgian African tribal art collection.
African art and the refinement of Kuba weaving.
Products to Zaire by the Shoowa, Bashoowa, a subgroup Kuba , these fabrics forming real paintings of first art, consist of a textile base in raffia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba ...


View details

120.00

Kasai s Shoowa woven panel
African art > African Textile > Textile Cuba

Belgian African tribal art collection.
African art and the refinement of Kuba weaving.
Products to Zaire by the Shoowa, Bashoowa, a subgroup Kuba , these fabrics forming real paintings of first art, consist of a textile base in raffia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba ...


View details

120.00

Kuba Shoowa Velvet from Kasai
objet vendu
African art > African Textile > Textile Cuba

Belgian African tribal art collection.
African art and the refinement of Kuba weaving.
Products to Zaire by the Shoowa, Bashoowa, a subgroup Kuba , these fabrics forming real paintings of first art, consist of a textile base in raffia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba ...

Shoowa woven panel called Kasai velvet
African art > African Textile > Velours Cuba

Ex-collection Belgian African art.
African art and the refinement of Kuba weaving.
Produced to Zaire by the Shoowa, Bashoowa, subgroup Kuba, these fabrics forming real paintings of first art, consist of a textile base in raphia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba country in ...

Shoowa Velvet woven panel from Kasai
African art > African Textile > Velours Cuba

Ex-collection Belgian African art.
African art and the refinement of Kuba weaving Produced in Zaire by the Shoowa, Bashoowa, a Kuba subgroup, these fabrics forming real paintings of prime art, consist of a textile base in raffia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba country in the ...

Kasai s Shoowa woven panel
objet vendu
African art > African Textile > Velours Cuba

Ex-collection Belgian African art.
African art and the refinement of Kuba weaving Produced in Zaire by the Shoowa, Bashoowa, a Kuba subgroup, these fabrics forming real paintings of prime art, consist of a textile base in raffia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba country in the ...


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Sold

Kasai Shoowa Velvet
objet vendu
African art > African Textile > Textile Cuba

Ex-collection Belgian tribal art.
African art and the refinement of Kuba weaving Produced in Zaire by the Shoowa, Bashoowa, Kuba subgroup, these fabrics forming real first art paintings, consist of a raffia textile base on which threads are cut to the brim, forming a velvet effect accentuated by contrasts of tone. The geometric patterns formed represent the bodily scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. They in many cases took value of money, or also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the technique of velvet weaving to the Kuba country in the 17th century. ...


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Sold

Kasai s Shoowa woven panel
African art > African Textile > Textile Cuba

Ex-collection Belgian African art.
African art and the refinement of Kuba weaving Produced in Zaire by the Shoowa, Bashoowa, a Kuba subgroup, these fabrics forming real paintings of prime art, consist of a textile base in raffia on which threads are cut to the brim, forming a velvet effect accentuated by the contrasts of tone. The geometric patterns formed represent the body scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. In many cases they took the value of money, or they also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the velvet weaving technique to Kuba country in the ...


View details

120.00

Kasai Shoowa woven panel
objet vendu
African art > African Textile > Velours Cuba

The African art and refinement of the weaving Kuba Products in Zaire by the Shoowa, Bashoowa, Kuba subgroup, these fabrics forming real first art paintings, consist of a raffia textile base on which threads are cut to the brim, forming a velvet effect accentuated by contrasts of tone. The geometric patterns formed represent the bodily scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. They in many cases took value of money, or also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the technique of velvet weaving to the Kuba country in the 17th century. He had previously introduced the ...


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Sold

Etoffe Pongo from Ituri
objet vendu
African art > African Textile > Etoffe Pongo

Produced by pygmies from the Ituri forest in the Democratic Republic of Congo, these fabrics woven from ficus bark fibres were painted by women. Men cut wood and hammered bark, and women generally used a gardenia decoction mixed with charcoal ash to draw patterns similar to tattoos worn by tribal members.
On this copy, grids of different formats have been drawn on the clear background, one of them, sometimes forming a loop at its end. The rhythm and space created between the various signs would also have a link with the polyphonic songs through which the pygmies of Ituri address God. The Mangbetu, in contact with the Asua pygmies, produced a similar type of cloth (named tapa in Oceania) decorated with more complex symbols called murumba or nogetwe . This type of fabric, if not worn ...


View details


Sold for 150.00 Find similar item

Etoffe Ncak nsueha Bushoong
African art > African Textile > Etoffe Ncak

Prestigious fabrics among the objects of African art Kuba
Products in Zaire by the Shoowa, Bashoowa, mainly, subgroup Kuba , these fabrics forming real first art paintings, consist of a textile base in raffia. The geometric patterns formed represent the bodily scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. They in many cases took value of money, or also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the weaving technique to the Kuba country in the 17th century. He had previously introduced the Kuba to the art of forging. It was the men who softened the fibers of young ...


View details

280.00

Kasai Kuba Shoowa Velvet
objet vendu
African art > African Textile > Textile Cuba

Collection of French African tribal art.
African art and the refinement of KubaProducts weaving in Zaire by the Shoowa, Bashoowa, subgroup Kuba , these fabrics forming real first art paintings, consist of a raffia textile base on which threads are cut to the brim, forming a velvet effect accentuated by contrasts of tone. The geometric patterns formed represent the bodily scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. They in many cases took value of money, or also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the technique of velvet weaving to the Kuba country in the 17th ...


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Sold

Kasai Kuba Shoowa Velvet
objet vendu
African art > African Textile > Textile Cuba

Collection of French African tribal art.
African art and the refinement of KubaProducts weaving in Zaire by the Shoowa, Bashoowa, subgroup Kuba , these fabrics forming real first art paintings, consist of a raffia textile base on which threads are cut to the brim, forming a velvet effect accentuated by contrasts of tone. The geometric patterns formed represent the bodily scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. They in many cases took value of money, or also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the technique of velvet weaving to the Kuba country in the 17th ...


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Sold

Etoffe Ncak nsueha Bushoong
African art > African Textile > Pagne Kuba

Ex-collection French tribal art.
Prestigious fabrics among the objects of African art KubaProduce in Zaire by the Shoowa, Bashoowa, mainly, subgroup Kuba , these fabrics forming real first art paintings, consist of a textile base in raffia. The geometric patterns formed represent the bodily scarifications of the ethnic group or the decorations of the sculptures. These refined fabrics were intended to be used at the royal court, as a seat or cover, to enhance its prestige. They in many cases took value of money, or also followed their owners into the grave by covering the body of the deceased. It was King Shamba Bolongongo who introduced the weaving technique to the Kuba country in the 17th century. He had previously introduced the Kuba to the art of forging. It was the men who ...


View details

280.00





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