br> Produced by pygmies in the Ituri forest in the Democratic Republic of Congo, these woven fabrics made of ficus bark fibers were painted by women. The men cut wood and hammered the bark, and the women usually used a decoction of gardenia mixed with charcoal ash to draw with their fingers or plant stems patterns similar to the tattoos worn by the tribe members. On this copy, grids of different sizes have been drawn in khaki on a light background, a line connecting each of them, and whose ends sometimes end in a loop. The rhythm and the space created between the different signs would also have a link with the polyphonic songs with which the pygmies of Ituri address God. The Mangbetu, in contact with the Asua pygmies, produced a similar type of cloth (called tapa in Oceania) decorated with more complex symbols called murumba or nogetwe . This type of fabric, if not worn as a loincloth, could be stretched on the inner walls of the huts. Ref : "Art sans pareil" J. Volper ; "Africa, the Art of a Continent" ed. Prestel.
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