African Arts Gallery

This type of carved panel was intended for the nzaambi affliction cults, also practiced by the Yaka, rituals that made it possible to treat a problem whose source had been established through divinatory practices. While the Holo were likely inspired by Christian iconography, they honored spirits and not a single god. Often intended to promote hunting, fertility or good health, these sculptures had to be ritually coated by the person concerned. Discreetly two-tone patina. Scattered abrasions and cracks. Located in the Democratic Republic of Congo between the Yaka and the Tchokwé of Angola, the small Holo ethnic group migrated from the Angolan coast to settle near the banks of the Kwango. Hunting and agriculture ensure their subsistence. Neighboring ethnic groups, such as the Suku, have influenced their traditional sculptures. The Holo have indeed produced helmet masks and prestige objects such as openwork panels for the ruling elite. Ref.: "Africa" ​​Coll. Sargos and "Congo Masks" ed. M.L.Félix; "Art sans pareil" ed. Julien Volper.